I have my own Writing Room. It was partly the reason we
chose this house. A spare room in the attic where I could write any time I
wanted. Five years on, it’s still a junk room with a computer somewhere in the
corner. It was tidy for a couple of days and I made the most of it by using it
to write a short story about a girl who slowly turns into a marionette puppet.
Then it soon returned to the purgatory for household items and clothes which we
can’t quite throw away. The room has now become so inaccessible that I have bought
a laptop so I can write anywhere else, but the Writing Room.
So I sit on the bed next to an antique writing desk, where
not a single word has been written. This is partly because I don’t have a stool
or chair to go with it. At the moment I have to sit on the bed and lean forward
at a 45˚
angle. It’s currently home to the laptop, a pile of books on medieval
literature, sunglasses, my daughter’s pink hair clips, The Little Book of
Cockney Rhyming Slang, a duster, a lace scarf and a copy of Camberwell Beauty
by Jenny Eclair. In between these objects is a light covering of dust,
highlighted by the afternoon sun.
My husband has taken the girls out to ‘give mum some peace’.
The closest I get to silence is the dog snoring and low level Tinnitus,
leftover from a particularly bad ear infection. Even so, I usually end up
falling asleep. Today has been different. I feel I’m ‘in the zone’. I have spent
three hours deciphering The Miller’s Tale in Middle English and I’m now
wondering what it would be like to speak Middle English and perhaps write some
kind of time-travelling thriller/horror. Cadfael meets Life on Mars with a
sinister twist?
I have been reading ‘I Remember’ by Joe Brainard, which almost
reads like prose poetry. I have found it quite inspiring and will try something
like it myself to trigger memories and see what comes out of it. We did a
similar exercise in the poetry module in Stage 1. I like its style. The lack of
details say so much more than the actual words.
4pm. I’m now reading an excerpt from Jeanette Winterson’s ‘Oranges
Are Not The Only Fruit.’ I’ve come to the conclusion it’s an advantage to have crazy
parents if you want to be a successful artiste. Something to do with childhood
trauma setting off new neural pathways into the creative part of the brain. I
feel like the weight of guilt has been lifted. I’m not a bad parent, just a bit
lazy and perhaps a little selfish. They’ll thank me for it one day. Perhaps
Caitlin will give me a mention at the unveiling of her new painting: The Girl
Surrounded by Nude Barbies:
‘If it wasn’t for my mother refusing take me and my sister to
all the music and dance classes all our friends went to, because she believed spoon-feeding
activities was the killer of creativity, I wouldn’t be here now. I was given a
choice of an HB pencil and cartridge paper; or a musty oboe she found on Ebay,
which came with a Tune a Day book for Beginners and said “Take your pick and
teach yourself, I’m off to finish an assignment”. So I picked up the pencil and
never looked back. My sister now teaches music in secondary schools. The oboe
still plays.’
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